I'm still struggling to write about my trip to Haiti.
Two boys getting water near MPP |
One of the hardest things, though, is answering the simple question
of "how was Haiti?"
"Haiti was life-changing," I say.
"Awwww," they
say. "That's so nice. So you liked it?"
Three boys and their donkey, near MPP |
I loved the trip. While
on this trip, I felt strong. I felt
brave, and confident, and at peace with myself.
I felt whole, and valued, and like I was an important piece of something
transformative. I did not feel the same
self-consciousness and fear and anxiety that is always chirping on my
shoulder. I was doing something so far
out of my comfort zone, and yet I did not feel afraid. I don't understand why that happened...and as
hard as I tried to hold onto it, it's gone now.
But it was there, for a week, and it made me feel badass. I love that I was brave, and I love that I
felt badass.
I love that this trip changed me wholly and completely. I love that my worldview is forever
changed. I love that I had the privilege
of breaking my heart open and allowing the beauty and the pain and the hope and
despair of Haiti and her people enter into my heart. I love that I saw landscapes so beautiful
that they moved me to tears, and I love that I saw landscapes so devastated
they did the same. I love this
experience in a way that you can only love something that is deep, and
personal, and painful and profound. I
love the way Haiti has burrowed under my skin and now enters my dreams in
beautiful and painful ways.
At school |
So when I'm asked that question of "how was Haiti? Did you like it?" I say, "Haiti
was life-changing. It was a very
amazing, and beautiful, and difficult experience." I say this because at
the water cooler, or in the bathroom at work I can't talk about how I hold in
my body this sense of overwhelming vast holiness that consists of pain, and
struggle, and beauty, and hope, and despair, and inexplicable resilience, and
hopelessness, too. It's an uncomfortable
feeling I don't know how to name or contain without tears stinging my
eyes. I don't know how to say in an
elevator speech that it's impossible for me to like the discomfort, and the despair and sadness and pain this trip
opened me to. It's hard to say that I liked seeing faces like the ones in
these pictures. It's hard to say that I liked hearing trauma, and hunger, and
thirst, and struggle, because you can't like
that. I didn't like that. But I held it in
my heart, because it is real, and because I witnessed it, and because I am
learning to hold those things.
And I struggle with that word, too. Favorite. Like my favorite color is purple, and my
favorite ice cream is mint chocolate chip...favorite
feels like an indulgence. Favorite feels like choosing which of
the struggles I witnessed particularly appealed to me. Favorite
feels like choosing that beautiful landscape over the struggling, beautiful
people within it. There isn't just one
moment that stands out...there are slideshows of moments, and roller coasters
of emotions of moments. So many
beautiful, hard, broken open moments.
The moment, though, that I am really struggling to tell is
the story of our visit to Bassin Zim: a completely gorgeous waterfall we stood
at the foot of, and climbed to the top of and looked down. The water was this amazing color of
aquamarine that I have never seen in real-life water before. We saw the "Voodoo cave" and went
in another cave with supposed ancient drawings on the walls, and the biggest
bats I've ever seen flying in and out of holes in the ceiling of the cave. It was absolutely beautiful, and mysterious,
and refreshing to see that much water in one place after so many days of dust.
Bassin Zim |
Our tour guides for this journey were children -- boys,
primarily -- that looked to be between the ages of 8 and 12 or so. These children clamored to take our hands and
to help us over the rocks and streams to the waterfall so that we would pay
them. These children reached, and
reached, and reached for whatever hand they could find to grab it, and hold
onto it, to be able to earn a dollar from us -- the white strangers.
And those faces.
Those faces. Those faces just stay with you.
The boy who took my hand introduced himself in English with
a lilting Creole accent: "My name is Eben," he said. "Take my picture. Is very beautiful."
I introduced myself, too, and he repeated my name, tripping
over the tricky vowel in the middle.
"Is very beautiful," he said again.
Eben |
Before we began our ascent, he took my hand and smiled. He pointed up to the sky with his other hand
and stated, "we have one God."
I smiled.
"One God," he said again. "We have one God."
I made myself smile again.
"Yes, Eben," I said.
"We have one God."
At the end of our walk, I gave Eben the dollar from my
pocket. He walked away, rough-housing
with the other children. I wish I could
say it was playful, but another child had come up and punched Eben in the back
-- I'm guessing out of jealousy over the dollar, or perhaps a previous fight --
and Eben ran off to seek revenge.
We have one God, he
told me. One God. We have one God.
Another child at Bassin Zim |
And this little boy here, in Haiti, with that same round
face and soulful eyes, this little boy is essentially begging for money. He is working when he should be in
school. Who knows what is story is, or
what it will be?
I couldn't help it: the tears just came, and I had to walk
away to hide them.
I keep looking at my pictures of the faces. Those faces.
And I keep thinking of Eben's words.
We have one God. One God.
We have one God.
I reside pretty firmly in the agnostic camp...and in one
sense, I absolutely agree with my little friend. Of
course we have one god, Eben, I think. We have one god that is a god of love, and
you, Eben, are loved.
"Take my picture?" Boys in the cave at Bassin Zim |
What comes to mind now is the line from Staceyann Chin's
poem:
"I
believe God is that place between belief and what you name it.
I believe
holy is what you do when there is nothing between your actions and the truth."
- from the poem"Feminist or Womanist?"
- from the poem"Feminist or Womanist?"
I still don't know how to talk about my trip to
Haiti. I don't know how to answer the
questions people ask, and I don't know how to tell these stories, but I know
that it was holy. Witnessing the lives
of the Haitian people and allowing their stories to seep in through my pores
allowed me to align my heart and my actions with the truth of the world.
I'm not sure about God myself, but I'm pretty sure that if there is one, (s)he isn't "allowing" places like Haiti to struggle. I'm pretty sure she gave us a dangerous and beautiful world to decide how we wanted to nurture it, form it, and appreciate it. (S)he knows the imperative of true gift-giving: Once given, a gift belongs to the recipient (all of us, in this case) for good or for ill.
ReplyDeleteThough I need to to say that the fact that the world has people like you in it who show us the meanings of giving and appreciating is evidence that something pretty terrific is at work. Thanks for the story.
Thank you for your kind words, and thank you for this insight, too - "once given, a gift belongs to the recipient...for good or for ill."
DeleteThank you, Alice! So glad I got to travel with you.
ReplyDelete