Write Something True

ARGH.

I so want to write today. 

Scratch that.

I need to write today.  I've needed to write for several days, actually, but I haven't done it.  And now I've been sitting and staring at this page and watching the sleet come down for longer than I care to admit, waiting for brilliance to come gushing over the page.

But brilliance -- like much of the country right now -- seems to be frozen. 

So instead of shooting for brilliance, I'm starting where I am.  Unfortunately, where I am right now consists primarily of "I'm stuck in writer's no-man's land," and "now "Let It Go" is going through my head because the word "frozen" has been forever ruined by Idina Menzel."

Thanks, Idina.

*****

I saw this brilliant little piece by Brian Andreas yesterday, and I immediately fell in love with it:

                                    How To Write Something True

1. Forget everything you know & everything you want to say.

2. Listen to the quiet voices of the world. Start with your heartbeat.

3. Touch the pen to the paper. Feel it, the way it is only at one point all the time. This is the place writing shows up.

4. Write one word at a time. This will take more effort than you think.

5. This kind of writing doesn’t care what you know, because you already know it. This kind of writing just wants to see what happens next.

6. When you can do this easily, go back to #1 again. This time no pen, no paper.

7. Live. Now you have something true to write about.

Perhaps this is what I need.

My heart is a little hurt-y today.  In part, there is Stuff.  In part, I just hate the month of March.  The whole month.  March 1 feels qualitatively different from February 28th, just as April 1 will feel like a breath of fresh air.  March is my "hold your breath and duck your head and just.get.through it" month.  March tells me that what I need to do is pull in.  Hibernate.  Cut open my heart, cover the hurt-y places with bandaids, bury them in scarves and winter coats, throw an ice pack in to numb the pain, sew up the incision, and wait.  But even just that -- even the cutting, and the covering, and the bandaging, and the burying -- even that requires looking at the hurt-y places a little bit.  And sometimes, hurt-y places just don't want to be looked at, you know?

So here's what I'll do: I'll follow the steps to write something true.  Will you do this, too?  Let's write something true together.

*Edited after the fact to add: This turned out entirely different than I expected.  It definitely correlates to the Brian Andreas piece above -- each of the 7 items served almost as a prompt for the corresponding stanza of the poem below.  I don't pretend to understand my brain.  This is just what happened.*

(Working title...I might change it...I hate titles.  Anyway...)

Truth Between the Lines

1.     These things are true:

I wear my fear branded into my skin. 

I tuck my insecurities into bed with me,

turn on a nightlight, and give them a kiss goodnight to assure them,

I will see them again tomorrow.

And it is true

that even when I kick my fears in the ass,

I'll only ever find them crawling back into bed with me.

They bring flowers

and whispered apologies,

so I am forgetting

that I only sleep with my fears because they make me feel safe.

It is true

that I invite them in.

Call them lover, call them friend, they are

my longest relationship.
In the morning,

I make them pancakes.

We drink coffee together as the sun rises,

and in that morning light,

I forget about the ways that I know better. I insist

that it will be different,

that I am strong enough to fight them. 

I am forgetting

about the ways they can crawl inside me.

I am forgetting

the way they know the scent of my blood. 

2.     The quiet voices are hard to hear

over the cacophony of Importance. 

I breathe in and let it still. 

My heartbeat roars, unexpectedly:

like a winter thunderstorm, she rolls

into my body, and envelops me

till I take refuge

ever deeper inside.

Start here, she says.

I breathe out and let myself be washed

in the deluge of thoughts. 

I start again. 

3.     This is the way we learn to be here.

The way we come here, to this place, again and again,

where pen meets page. 

Lungs meet air. 

Where tears meet face, and broken meets open, 

in this pinprick of a moment, line becomes letter,

letter into word, word into sentence, sentence into voice.

Here is the place where Showing meets Up to scare Giving away from her,

here

is where Running meets Away

and carries her back. 

4.     Slowly. 

This writing is a holy creation of destruction:

one word at a time, we build missiles that destroy our broken interiors. 

Something cannot be created

where no space exists.

I am learning

that truth creation is only ever a process

of deconstruction

taking apart that

which no longer serves us. 

5.     So we build from the nothing. 

Create something that only

exists in our minds,

I look for evidence of me in the spills on the paper:

this holy, fucked-up mirror of truths,

this pen

knows the ways I make breakfast for my fear and self-doubt.

It has watched me invite them in

despite bruised lips

blackened eyes,

shattered dreams,

this pen

is unforgiving in its truth.

6.     These things are true:

I wear my fear branded into my skin. 

I tuck my insecurities into bed with me,

turn on a nightlight, and give them a kiss goodnight to assure them,

I will see them again tomorrow.

I invite Self-doubt to breakfast despite knowing

she's only a jealous lover,

I start over

and over and over as

these facts unfold, here,

where Broken meets Open.

Where Running meets Away

and carries her back

7.     These things are true:

I stare into this holy, fucked-up mirror of truths.

I try to drink my coffee alone

before my breakfast guests arrive,

and I live.

I live.

I live

in this place

where Showing meets Up and scares Giving away from her.

I live

finding truth and breathing room

in the destruction between the lines.