Have you ever walked inside a holy place and felt the awe
that descends upon you as that holiness enters your body? Perhaps in a church, or in front of the
ocean, or standing in front of an amazing piece of art -- there is this thing
that happens where something inside you moves and you feel a shift -- a change
-- and everything becomes still and vibrant and alive, such that everything
from your breath to the bottoms of your dirty shoes becomes sacred. You feel alone and connected; isolated, yet
bonded with all those who have stood on that holy ground before. You feel certain that there is no way to ever
tell anyone what just transpired -- and yet also feel certain they must have
felt their center tremble, the goosebumps run from their legs up to the top of
their skull, felt the tears stinging their eyes in joy, grief, fear, comfort,
peace and sorrow. It is a full-body, all
encompassing experience that is impossible to describe. Even the word "holy" -- one of the
biggest words I know -- does not feel big enough to fit the vastness that is
this experience.
This is what it is like to sing Brahms' Requiem.
I'm not really a singer.
I can read music enough to skate by, but this past September was the
first time I sang in front of anyone since I mumbled through "The Rainbow
Connection" with the children's choir when I was 12. So this experience -- this way of learning to
live inside Brahms' German Requiem -- this was new. This was going outside of my comfort
zone. This was pushing my abilities to
the limits, and messing up, and getting frustrated, and trying again. This was wrong notes, meaningless syllables
that were supposed to sound like words, squiggly lines I couldn't figure out,
and rests I continuously sang through.
This was frantically glancing at my neighbor's eyes as I tried figure
out where they were on her page, being unable to find the downbeat (any
downbeat), and finding myself unable to count to 3. This struggle felt anything but holy.
But then Brahms started getting stuck in my head. I sang Brahms while I was washing dishes,
while I was driving, while walking the dog.
Thank goodness my neighbors are Deaf -- otherwise, they too would be
well-versed in Movements I - IV. I sang
Brahms in my head while at my desk at work, I hummed it in the hallways, and
slowly, it became part of me. It felt joyous,
and angsty, comforting, sad and beautiful.
This agnostic sang about the word of the Lord enduring forever, and
something about the ransomed of the Lord returning and coming to Zion, and though
I really had no clue what I was saying, I loved it, as one can only love things
we don't understand: with admiration and a certain respect and humility that
the piece surely deserves.
At long last, things came together. The first time I felt myself embodying that
music during rehearsal, it nearly moved me to tears. It felt right. It felt like this making of music and
sorrow and joy and comfort was something we were supposed to do. It was at once intensely personal and
vulnerable, and also a shared, community sense of belonging and
connectedness. It felt like community,
and love, and it felt like coming home. And
then we lost it again...and so we rehearsed, and tried, and practiced, and
sometimes we found it and sometimes we didn't.
We struggled, and we practiced, and we hated and loved Brahms
simultaneously.
I joined the choir in an act of faith. Prior to joining, I had been what one might
call a lurker at church: I came, hid out in the back, and left, quickly,
talking to no one. I did not trust
community, and did not believe I could be part of it. I did not believe I would be welcomed, did
not believe that I was deserving of any friendship, or camaraderie, or love I
may be given. I was hesitant -- scared,
even -- to belong, until finally, I let go of the comfortable trapeze bar to
which I had been clinging, and I flew.
To my surprise, there was not only another trapeze bar within easy
reach, but there was a trampoline below me, and a spotter on either side. I came to remember how it feels to belong.
Even as I say "belonging," though, I know it is
more than that. Being part of that group
today, standing there and singing a piece of music that is more vast than my
mind and heart can fathom, I felt small and humbled, like I was standing not
just before that which is holy, but actually residing inside it. Like looking at the night sky, I felt dwarfed
by the enormity of beautiful that was surrounding me. And yet -- as part of the creation, I also
felt powerful, and important, and necessary.
I was at once important and nothing, just as we all are at every moment
in this universe. Our minister of music
reminded us often of how every note Brahms wrote was intentional. Every note was shaping the next, and the
next, and the next, until the whole line, the whole movement, the whole piece
was born. Without one of those notes, it
would have been different. Each one is
necessary. Each one is intentional.
And, perhaps, that's just it. In the larger scheme of the world, this
little performance today was nothing. In
the larger scheme of this particular piece of music, our non-professional,
non-auditioned choir surely did not create the most beautiful or technical or
important version to have been performed.
But it was intentional. It was
necessary. The shape of our hearts and
those of our listeners today would be different had we not sung it. We created something holy using only our
bodies. Is it not necessary to create
beautiful things, if only for the sake of creating something temporary and
beautiful that changes the very shape of our souls?
Of course, if I had not been in the choir it would have been
just as beautiful. The teary eyes in the
audience would still have been teary.
There still would have been the pause when we finished, as everyone
breathed into the stillness that followed the intensity. It still would have been holy.
And yet -- I was there.
In order to create this music
-- the music we birthed and inhabited today -- I was necessary. We all were necessary. If just one of us had not been there, it
would have been different. In order for
my heart to be stirred in this way,
we were -- each of us -- necessary. In
the creation of today's holiness, we were -- each of us -- intentional.
And isn't the piece itself one big parallel for this process
-- my process -- of belonging? I came to
the choir and to UUCC in a place of mourning, of sorts. As someone who struggles with the idea of a
God, I define that which is god (that which is holy), as connection and
community. I find the divine in my connections
with others, in love, in that which is held in belonging and kindness. So when the first movement starts slowly,
gently, softly, I hear:
Blessed are they that mourn; for they shall be comforted.
Those who sow in tears shall reap in
joy.
They who suffer shall find
happiness and joy.
The second movement continues (with edits and interpretation
on my part, for the sake of my parallel here):
For all of us will suffer, and all of us will die.
Be patient therefore unto the coming of that
which is holy...
That which is love
shall endure forever.
And you shall come
to a place of holiness with songs
and everlasting joy upon your heads:
you
shall obtain joy and gladness, and sorrow and sighing shall flee away.
And the third movement carries it further still, singing
that death and suffering is reality for us all, and then:
In what shall I take comfort?
I
hope in that which is holy.
Our souls
are held by the hands of that which is love,
and there no torment shall touch
us.
Finally, the fourth movement -- the last one we sang -- brings it all to a beautiful, comforting end:
How lovely are the places where holiness abides!
My soul longs for those places, and my heart and flesh rejoice in their love.
How blessed we are to live in this house of love and holiness.
Is this what Brahms meant in his Requiem? No, likely not...but I like to think he would
not find this interpretation to be blasphemous.
Having resided as I did, however briefly and imperfectly, within his
Requiem, I like to think that he would see this interpretation as I do: simply
intentional, and necessary.
To my fellow singers: thank you. I am humbled by your talents, your beauty,
and your love. How blessed we are to
live together in this house of love and holiness.